Visual & VFX — 02
Shot in real light. Finished in VFX.
pdaw visual production captures real footage and stills, then expands them through high-end VFX and cinematic color. Where analog grain meets digital dreams — AI is a brush that expands the director’s eye, not replaces it.
Disciplines — What we shoot
- V1
Cinematography
Brand films, music videos and cinematic content — shot in real light, with full lighting direction. Camera and lens packages specified per project.
- V2
Photography
Album artwork sources, brand editorials and portraits. A hybrid of 35mm film and digital medium format, finished with precise retouching.
- V3
VFX & Composite Artwork
CGI laid over live footage, 3D match-move and the post-production layer for the Han Seo-A face pipeline — the same compositing craft turned toward pure invention: impossible scenes built from real photography, film and AI-extended imagery, composited until the seam disappears, in stills and in motion.
- V4
Color Grading (DI)
Cinematic color built in DaVinci Resolve. Custom LUTs for each work — the final grade that carries one director’s eye to the last frame.
Reel — Motion & VFX
The grade, in motion.
- 01 Director’s eye
- 35 mm film & digital
- 4K+ HDR mastering
- ∞ Custom LUTs